Baby’s on fire
This guy Charles Mehling does the best fashion promos.
Charlotte Gainsbourg “Heaven can wait”
Weird. Especially Beck’s face. Is he on drugs?
Flaming Lips “Watching The Planets”
Lips getting weird and hippied out. Neat.
Watch here: http://www.nme.com/video/bcid/49582897001
Day 1 Young Money Cash Money Tour
Go to vimeo to watch all seven parts. Cash money young money get money bbbrrrrraaaaaaaattttt!
[via basedworld]
Fever Ray “Stranger than kindness”
New Fever Ray Video! This was exactly like the live show. Nice.
Sing Sang Sung – Air
Neat little retro music video. Reminds me of Fantastic Planet and that 1-2-3-4-5-6-7-8-9-10-11-12 Seasame Street Video.
day n nite
Hey kids, just returned from a much needed trip to some warm tropical islands. Worked in day. Played at night. Yup.
PETER CHUN MAO WU > PHOTOGRAPHS > DAY N NITE
Werner Herzog’s ROGUE FILM SCHOOL
Oh shit! Herzog is starting his own film school… but it looks like it’ll be pretty different than the rest (which are all mostly scams by the way.) SIGN ME UP!
Check out the contents of the ABOUT Page below. Fantastic.
. . . . . .
1. The Rogue Film School will be in the form of weekend seminars held by Werner Herzog in person at varying locations and at infrequent intervals.
2. The number of participants will be limited.
3. Locations and dates will be announced on this website and Werner Herzog’s website: www.wernerherzog.com approximately 12 weeks in advance.
4. The Rogue Film School will not teach anything technical related to film-making. For this purpose, please enroll at your local film school.
5. The Rogue Film School is about a way of life. It is about a climate, the excitement that makes film possible. It will be about poetry, films, music, images, literature.
6. The focus of the seminars will be a dialogue with Werner Herzog, in which the participants will have their voice with their projects, their questions, their aspirations.
7. Excerpts of films will be discussed, which could include your submitted films; they may be shown and discussed as well. Depending on the materials, the attention will revolve around essential questions: how does music function in film? How do you narrate a story? (This will certainly depart from the brainless teachings of three-act-screenplays). How do you sensitize an audience? How is space created and understood by an audience? How do you produce and edit a film? How do you create illumination and an ecstasy of truth?
8. Related, but more practical subjects, will be the art of lockpicking. Traveling on foot. The exhilaration of being shot at unsuccessfully. The athletic side of filmmaking. The creation of your own shooting permits. The neutralization of bureaucracy. Guerrilla tactics. Self reliance.
9. Censorship will be enforced. There will be no talk of shamans, of yoga classes, nutritional values, herbal teas, discovering your Boundaries, and Inner Growth.
10. Related, but more reflective, will be a reading list: if possible, read Virgil’s “Georgics”, read “Hemingway’s “The short happy life of Francis Macomber”, The Poetic Edda, translated by Lee M. Hollander (in particular the Prophecy of the Seeress), Bernal Diaz del Castillo “True History of the Conquest of New Spain”.
11. Follow your vision. Form secretive Rogue Cells everywhere. At the same time, be not afraid of solitude.
Skinner
Great detailed and psychedelic and evil work from a bay area artist SKINNER
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